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Friday, April 25, 2014

THE MYSTIC MINSTRELS

English: Baul singers at Vasantotsav, Shantini...
English: Baul singers at Vasantotsav, Shantiniketan (Photo credit: Wikipedia)

The Bauls are mystic minstrels living in rural Bangladesh and West Bengal, India. The Baul movement, at its peak in the nineteenth and early twentieth centuries, has now regained popularity among the rural population of Bangladesh. Their music and way of life have influenced a large segment of Bengali culture, and particularly the compositions of Nobel Prize laureate Rabindranath Tagore. 
Bauls live either near a village or travel from place to place and earn their living from singing to the accompaniment of the ektara, the lute dotara, a simple one-stringed instrument, and a drum called dubki. Bauls belong to an unorthodox devotional tradition, influenced by Hinduism, Buddhism, Bengali, Vasinavism and Sufi Islam, yet distinctly different from them. Bauls neither identify with any organized religion nor with the caste system, special deities, temples or sacred places. Their emphasis lies on the importance of a persons physical body as the place where God resides. Bauls are admired for this freedom from convention as well as their music and poetry. Baul poetry, music, song and dance are devoted to finding humankinds relationship to God, and to achieving spiritual liberation. Their devotional songs can be traced back to the fifteenth century when they first appeared in Bengali literature. 
Baul music represents a particular type of folk song, carrying influences of Hindu bhakti movements as well as the shuphi, a form of Sufi song. Songs are also used by the spiritual leader to instruct disciples in Baul philosophy, and are transmitted orally. The language of the songs is continuously modernized thus endowing it with contemporary relevance. 
The preservation of the Baul songs and the general context in which they are performed depend mainly on the social and economic situation of their practitioners, the Bauls, who have always been a relatively marginalized group. Moreover, their situation has worsened in recent decades due to the general impoverishment of rural Bangladesh.

---daman
25/04/2014


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Wednesday, April 23, 2014

MY EYES BEG TO BEHOLD YOU



 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 Thirsting for the sight of you
 I offer myself as your faithful devotee
 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 I offer myself as your faithful devotee

 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 Thirsting for the sight of you
 I offer myself as your faithful devotee
 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 Thirsting for the sight of you
 I offer myself as your faithful devotee

offer myself
offer myself
 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 Thirsting for the sight of you
 I offer myself as your faithful devotee
 My eyes...
 Humbly plead
offer myself
 My eyes...
 Humbly plead
 They beg to behold your vision
 Half-crazed, my hair all astray
 Thirsting for the sight of you
 I offer myself as your faithful devotee
 My eyes...
 Humbly plead

---daman
23/04/2014

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Tuesday, April 22, 2014

TU NAHI BOLDI !



Surjit Bindrakhia (born Surjit Singh Bains) 15 April 1962 – 17 November 2003 was a Punjabi Indian singer. He was known for his hekh, in which he sings a note continuously in one breath. His hits include Dupatta Tera Satrang Da, Bas Kar Bas Kar, Tera Yaar Bolda, and Jatt Di Pasand. Surjit is considered to have one of the greatest voices in the history of Bhangra. He received a special jury award at the 2004 Filmfare Awards for his contribution to Punjabi music.
Surjit Bindrakhia had arguably one of the most powerful voice among Bhangra singers during his time. Throaty, with a wide range of sounds, he was one of the most successful traditional artist doing the rounds of the bhangra scene during his time. Surjit had been known in Punjab for many years, but his big break in the expatriate market came with Dupatta Tera Sat Rang Da 1995, a track that was his best known. Since many remixes in 1990's were made of his older songs and a new releases.Surjit Bindrakhia is credited as being the first international superstar in bhangra music. His song Dupatta Tera Sat Rang Da holds the record for being the number one Punjabi song on UK charts for weeks.
He died of a massive heart attack in November 2003.
(courtesy:wikipedia)

---daman
22/04/2014



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Sunday, April 20, 2014

MY HEART




My heart, sit only with those
who know and understand you.
Sit only under a tree that is full of blossoms.
~ Rumi:


---daman
20/04/2014